I am particularly thrilled to welcome Tony Award winning director Patrick Mason here today.
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He truly honours us, not only with his distinguished presence, but with the gift of his theatre at home and abroad. He has directed over works. All of that, Wilde and what many of you here today do, is gay theatre. When not advertised as that, they pack out in mainstream — when we advertise them as gay theatre, we battle for hearts, minds and seats!
That is our inter-cultural dialogue — to show that gay theatre is good theatre and it is for you. Patrick placed at the centre of his stewardship of the national theatre at the end of the twentieth century, an artistic courage through the liberation of voices. It was good to see his life fully acknowledged at his passing.
Our sympathies go to Eric, his family, colleagues and friends. May he rest easy and may we continue to enjoy his great legacy. We also are celebrating the beginning of our second decade at a time when something remarkable happened in Irish theatre. There is always an open door welcome for Irish artists in this International Festival and I am thrilled to launch the biggest Irish programme ever this year. In this multi-media age, some question the relevance of theatre — and then Rory O Neill dons his latest glamorous outfit and produces probably his finest piece of theatre on the Abbey stage.
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The show was over, he walked onto the stage as a noble call and delivered in the most expertly crafted lines, a voice to the ongoing story of unchallenged oppression that still gets us all on a daily basis. It was remarkable theatre by a remarkable artist. It is equally remarkable that so many people were enlightened by what to the rest of us is our daily experience, internalised or externalised oppression.
It is somewhat frustrating that despite a decade of either achievement or survival, this worldwide event in Dublin is at risk of falling with the last volunteer.
Esta semana en apolo
We have no office, no computer, no staff and not even a chair as an asset, after a decade of unrivalled output and considerable success. It is exhausting trying to work real standards driven theatre with such a paucity of resources, despite the generosity of our volunteer base. I want genuinely to acknowledge the support given to us in staging performances of new Irish theatre and international voices in Dublin this May with the essential help of 6, euros from the Arts Council and 4, euros from Dublin City Council.
Our thanks also go to the our long-standing friends in the Arlington Hotel group, who really do look after our guests each year so well and to the Front Lounge, the gay media and all venues for their ongoing support. In the 21st Century, the latest crumb to fall from the rights table, is that we are to be allowed ask for permission to marry in a referendum next year — the final ignomy perhaps to end years of legislative oppression, formalised with the Act that incarcerated Wilde, forbade Edwards and Mac Liammoir from marrying, never acknowledged the election of Dr Kathleen Lynn as our first and perhaps only lesbian TD, saw the IRB abandon Casement in the dock as his diaries revealed his prowess, encouraged Francis Bacon and thousands of others to stay away, and still criminalised us until 21 years ago.
In all that we still find the space to tell the stories of the past and our stories of today in this innovative and entertaining programme and to be fair, more people straight and gay listen for the 11th year in succession. We are glad to return to the New Theatre this year. Pearse and Casement are not the only political figures under the spotlight as politics and culture from the s is quite a theme this year.
If only she had remained in that career choice. It is good to be back there amongst friends. We have some great musical treats. We are delighted to renew our acquaintance with the legendary gay theatre producer David Zak. Young Irish writers continue to identify the Festival as a place where they will be heard, supported and showcased. It is great to see their university funding this trip.
I can think of no better way to begin a new decade that to mark an incredible coincidence. Here we will present awards in the names of Wilde, Edwards, Mac Liammoir, Eve Gore Booth, Patrick Murray and pioneering gay playwright from the Cino days, Doric Wilson, in a celebration of what I am sure will be a Festival of merit to begin our second decade. We are also launching today a fundraising partnership programme with the LGBT community groups where we invite them to book out a theatre on an opening night at a discounted rate, and to charge what they like to raise funds for their diverse and essential causes.
We hope this will in some way assist them as they too struggle to preserve essential services and to fight the cause of human rights for all, through the marriage equality campaigns that are ahead. My attempts to step down as the organiser of this event after a decade have been a spectacular failure.
I am very grateful to the small team that continues to step forward and to dedicate their considerable time and talent to ensure other voices will be included in our intercultural dialogue with mainstream society at home and abroad. I live in hope of finding a successor to Chair this dynamic entity.
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We are suffering from goodwill. This programme will appeal to many and we need your help in convincing them, that as mainstream theatre is inclusive and relevant, so are we. If you have done it before, book in a friend or make this your group activity in May.
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We do not personally profit in anyway from our work, but I believe we all profit from this visibility, this diversity, this inclusiveness of all, regardless of their identity, in a unique artistic celebration of new voices, new work and new horizons in Dublin in May. Thank you, Lord Mayor for your gracious hospitality and support.
Thank you Patrick for you ongoing contribution to great theatre and for allowing us to associate ourselves with you today. Thank you all for writing, acting, singing, producing, technical support, front of house, administration, funding, sponsoring, fundraising and attending. Booking opens online tomorrow morning! See you at the 11th festival with a new programme of quality theatre each week beginning May 5th and May 12th During the two weeks in May the audience will have the opportunity to enjoy drama, comedy, music and cabaret at accessible prices, as well as a range of free events.
In his speech, the Festival Artistic Director and Chairman, Brian Merriman, highlighted the need for inclusion of all people in the Festival events. This year the Festival audience will have the opportunity to experience stories about family and gender, musings on love and happiness with a poignant look at gay marriage and divorce, love and loss. Love will blossom in the trenches of World War 1, football pitches and Northern Ireland, and in spite and despite religion.
There will be stories about privilege and assumed rights that go with it; pure malice and perceived evil, obsession and corruption of beauty. But without fail, the Festival will show stories of and about that unpredictable and uncontrollable organ — the heart. This partnership will support the festival in bringing the news of the festival festival to a wider international audience.
Reaching countries worldwide on a monthly basis, Gay Star News is the ideal global media partner. In over performances will take place in six venues around Dublin bringing together artists from around the world. Musicals, drama, dance, Opera, drag, cabaret and comedy from five continents will be presented in over performances in city centre venues during May 6th to 19th Images and more information available on request to info gaytheatre. This unique festival runs from 2 nd to 15 th May welcomes audiences of all ages and sexual identities.
The exciting programme of features, comedy and musical theatre includes Eight World Premieres, Eight European Premieres and Four Irish Premieres in what promises to be a tantalising two weeks of entertainment. It has made a strong contribution to livelihood of many artists and to date has given audiences a diverse range of entertainment.
I wish the Festival well as it launches, what is a very ambitious programme for Playwrights as young as 18 year old Aaron Rogers were successful amongst the largest ever cohort of Irish applicants. Das Theater findet vom 4.
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